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Valerya Nikolenka was discovered by the agency Global Russian Models in her home city Novosibirsk at the age of. Valeriya lives with her mother, a dentist, in a small apartment in the heart of Novosibirsk.

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They spend each summer in the Datcha like many Russian Families. Fonsd living room is in the same time the bedroom of her mom. Valeriya benefits from an incredible body control due to her long experience as a dancer.

With a population of 1,5 million, Novosibirsk is the third most populous city in Russia and the capital of Siberia. Noah Models is one of the biggest Model Agencies in Russia and scouts regularly in the East of Russia for new young faces. This is a usual wnat to recruit new talents and at the same good publicity for the agency.

The "Hall'titude" indoor market is a brand-new concept in the city. It is held by a butcher, a fishmonger, a confectioner, a cheesemonger, a greengrocer and also includes a wine bar.

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Local products and warm atmosphere garanteed! Allen Brooks was among the first of.

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From the serenity of this book he looks down now with fatherly condescension at those who arrived later and published sooner, gleaning what they wanted and moving on. From the first it was the Fonsd story, half-suppressed and half-mythologised by Le Corbusier, which he wished to recover in its entirety.

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He had the luck of the persistent, finding not only local builder, architect and sculptor friends of young Jeanneret still hale and hearty in the Seventies, but a full set of journals kept by his father.

The anonymity of boyhood once over, this is a life which turns out to be almost absurdly well documented; and Brooks profits from his own diligence to present an enthralling, if two-dimensional, narrative. By virtue of his journals, the reflective, mountain-walking father turns out to be the cynosure of the early chapters. An enameller in the artisanised watch industry from which La Chaux-de-Fonds derived its Calvinist existence, in Don t want to spend the la chaux de fonds alone worry over work and money, living hugger-mugger with his family in poky fourth-floor flats, he never ceased to admire and stimulate the cultural ambitions of his two boys.

Albert, a budding violinist, at first looked the surer prospect, but brother Edouard soon outshone. Their mother, from a slightly better background, taught the piano and lived almost to a. Though often considered to have been the greater influence on the architect, she passes here more or less in shadow.

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The odd painted nude by him often of lesbian love-making hints at sublimated erotic curiosity; that is about all. Suffice it to say that Jeanneret was close to his family, indulged, but not well socialised.

Ininitiating a foncs trend among 20th-century architects, he induced his fond parents to build a house to his design which they could not afford — the bourgeois Villa Jeanneret-Perret on the edge of the town. It was a selfish adventure, and the son was soon beating his breast over it; yet he did not scruple to charge fees.

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Even when the postwar slump caused his parents to sell the house ata great loss innot a squeak of reproach escaped.

Shoots of early genius notwithstanding, the education of a great architect is a slow process.

His outstanding natural quality was not genius but resolution; and as he grew up he sought out a sequence of the best mentors and colleagues from different cultures who could act as his stepping-stones. In one case only, the first, was this sheer luck.

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